Lara Klart: "I always sought my own style and sound"
Lara Klart, emerging talent in electronic music, discusses her latest single "Romans" and her shift from techno to hard techno. She reflects on influences like Indira Paganotto and Amelie Lens, and shares how her music journey aligns with her passion for philanthropy, using her platform to inspire and support others.
Your new single "Romans" has been released on Janus Rekordz. What was the main inspiration behind this track, and how does it fit into your current musical journey?
I’ve experienced a significant musical shift since I joined this industry. "Romans" marks the transition from techno to hard techno. For the first time, I’m making techno music at 150 BPM, something I never imagined, but music and the tastes of new generations evolve quickly, just like my musical preferences and the evolution of techno. "Romans" is a powerful, aggressive track with a lot of energy.
You’ve had the opportunity to share the stage with some of the most prominent DJs in the industry. What have you learned from these experiences, and how do they influence your music production?
I had never allowed myself to be influenced by any DJ in my music; I always sought my own style and sound. However, I must say that Indira Paganotto and Amelie Lens, along with the Rave Alert label, changed my perspective on music. Giorgia Angiuli also had a significant impact on my latest productions. Women in this industry have been my greatest inspiration.
Your musical journey began at a very young age, but what specifically led you to focus primarily on electronic music?
My grandfather and sister were my musical influences. I always wanted to be a singer and part of a rock band. At 16, my voice changed, and I saw this musical dream as something impossible, until I discovered electronic music. But it wasn’t until I was 22 that I decided I wanted to pursue it. At that time, there weren’t many women in the industry, and I felt quite alone. Now, I’m living the best years of my life doing what I love and feeling supported by other women in the music industry.
You’ve collaborated with Indira Paganotto, a respected figure in the electronic music scene. How would you describe your relationship, and in what ways do your musical visions align?
Indira Paganotto is one of the most special human beings I’ve ever met. Her energy and strength on stage, her songs, her charisma, and her personality do justice to all she has achieved and the great influence she has become for so many.
Indira is a diamond, both as an artist and as a human being. I feel proud to have been chosen as one of her talents on her label, Artcore. I will never have the exact words to express my gratitude for this opportunity and for believing in me. She has been one of my greatest inspirations and influences since I decided to make psytrance and faster techno.
You are a passionate advocate for philanthropic causes. How do you manage to combine your music career with your social commitment, and what are some initiatives you have supported?
Since the age of 15, I have been committed to social work in my home country, Ecuador, supporting animal rescue foundations, organizations for children with cystic fibrosis, schools, universities, banks, and municipal governments.
My primary focus has always been to offer the world a message of hope, particularly to those in disadvantaged communities. My mission is to help them understand that, no matter the circumstances they find themselves in, the only person who can lift them out of poverty or adversity is themselves, and all they need is to believe in their own potential.
Today, we live in an era overwhelmed by negativity and the constant pressure to conform to social standards that strip us of our power, autonomy, and motivation. These standards define what we can and cannot do, but I believe that true freedom comes from reclaiming our belief in ourselves, realizing that we hold the key to our future.
I believe it is both fair and necessary to use our influence as artists to help others. Without that, living my musical dream won’t be enough. I need to feel useful, not just as a source of entertainment, but also as a means of support.
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